Yesterday, the National Park Service removed a 24-foot-tall Joel Shapiro sculpture from the Kennedy Center grounds without explanation, sparking debate over political correctness in public art.

Teju Adisa-Farrar’s piece on Black American natural dyeing traditions highlights the rich history of pigments used by ancestors, from mustard yellow to indigo blue, reclaiming a vital part of cultural heritage.

The latest issue from Pratt Institute’s School of Continuing and Professional Studies offers certificates in art and design, supporting both amateurs and professionals in their educational journeys.

In memoriam, we remember sculptor Geles Cabrera, street artist Helch, and commercial photographer Jay Maisel, each leaving a unique mark on the art world.

The Smithsonian’s board of regents has decided to house the National Museum of the American Latino in the existing Arts and Industries Building, bypassing congressional approval for a new site.