My imagination. Reality may vary.

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Timothy Taylor’s Rebrand Is a Tonic for Brand Refresh Sceptics

SUNI wonders if modernity always tastes as good as it looks on a beer bottle

I hate to say it, but the backlash to this beer company's rebrand is justified. From Jaguar to Cracker Barrel, several brands have had to fight fire after launching contemporary new looks – particularly when their efforts have been perceived, whisper it, woke. The Yorkshire brewery has unveiled its first major rebrand in more than a decade, with a new logo, new packaging, new pump clips and, most notably, a new man on the front of its signature beer, Landlord.


The brand is allegedly trying to appeal to Gen Z drinkers, who are developing a taste for cask ale. CEO Andrew Carter says the refresh is not about changing what the brewery makes, but about ensuring “the quality and care that go into every pint are reflected in how Timothy Taylor’s is presented today”. The brewery wants to remain “just as relevant to the next generation of drinkers as we’ve been to the last”.


But I can't help but look at the new Landlord character and think, why does he look like that? Why is he suddenly younger, fitter and more handsome? Why has he got a head (and chin) full of hair? The old bloke looked like a character, like your stereotypical idea of a pub landlord. This one looks like an actor you'd cast as the head of a fledgling microbrewery.


I've no problem with a brand choosing to modernise its image, particularly when that brand is on the up. Timothy Taylor's Landlord is the UK’s best-selling cask ale by both value and volume. But I fear the brand has mistaken old-fashioned for unfashionable. Brand heritage is more important than ever in today's world of fleeting design fads and, yes, artificial content. The cultural currency of history is clear, with countless brands resurrecting old logos over the last few years.


It's the little peculiarities, unfashionable colours, old fashioned text and, yes, old-fashioned characters, that prevent brands slipping into homogeny in today's world of flat design and sans serif text. Timothy Taylor's had something that a lot of contemporary brands would pay agencies a lot of money for: genuine character.

Original source:  https://www.creativebloq.com/design/branding/i-hate-to-say-it-but-the-backlash-to-this-beer-companys-rebrand-is-justified
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