When Finnegan Shannon’s There's no me without you installation malfunctioned at Pioneer Works, it became a poignant metaphor for institutional neglect of accessibility. A 12-foot-long conveyor belt, designed for visitors to interact with objects, failed to turn on, leaving many artefacts static and unresponsive.

Staff eventually attempted to resolve the issue, but the conveyor belt jammed, leaving it inert. This mishap highlighted the broader social apathy towards the need for accessibility. Inspired by the confusion of fellow visitors, I jiggled the belt, and lo and behold, it began moving. Shannon’s intent was crystallized: we are all interdependent, and finding creative solutions is intrinsic to disability.

The installation, featuring tactile objects like ceramic strips and masses of rope, was meant to engage visitors in a gentle and equitable way. However, the malfunction turned it into a frustrating experience, underlining the importance of constant maintenance and genuine commitment to accessibility.

As Shannon’s exhibition continues, it serves as a reminder of our collective responsibility to those who live in an often inaccessible world. The failure of the conveyor belt forced visitors like me to rethink our expectations and, in doing so, find a new perspective on our interdependence.