By 4 p.m., the aisles at TEFAF New York should have thinned. Instead, buyers were still engrossed in conversations, with galleries abuzz from early morning VIP previews. Dealer Sean Kelly declared this to be one of the best TEFAF events for years, echoing a sentiment among collectors that after years of economic uncertainty, they're embracing life again.

The fair's unique blend of historical and contemporary art, from Dorothea Tanning’s ghostly paintings to Shahzia Sikander’s intricate mosaics, drew visitors eager to discover new treasures. Art adviser Ralph DeLuca noted a growing confidence in hard assets like art over traditional investments, explaining the buzz among attendees.

Secondary-market galleries like Pace Di Donna Schrader brought out heavyweight pieces, including works by Eugène Delacroix and Willem de Kooning, while historical artefacts like David Aaron's 3,300-year-old Egyptian stele added a layer of intrigue. Thaddaeus Ropac’s display of Eva Helene Pade’s dramatic paintings and Salon 94’s avant-garde interior design booth highlighted the event’s diverse offerings.

This year's TEFAF New York feels distinct, offering an experience that defies the usual pace of May fairs. In a world where financial markets are volatile, galleries provide a space for collectors to find quality and joy in their purchases. It remains a testament to human resilience and the enduring appeal of art.