Alexander Valencia's MFA show at Columbia University confronts the institution over its perceived failures to address Israel's actions towards Palestinians. The installation, part of the Visual Arts + Sound Art Class of 2026’s thesis exhibition, uses sundials and a broken microphone to symbolize oppression and resistance.

Valencia’s work is a critique not just of Columbia, but of the broader discourse on free speech and academic freedom. In an era where universities often bow to external pressures, Valencia stands firm, asking uncomfortable questions about institutional hypocrisy.

The exhibition comes at a time when many students faced disciplinary actions for their involvement in protests against the Gaza genocide. Ridwana Rahman’s keffiyeh, a symbol of Palestinian solidarity, is crushed by sundials, turning Columbia’s beloved meeting spot into a stark reminder of oppression.

Columbia University remains tight-lipped about these issues, citing privacy laws and institutional policies. However, the artist's work serves as a powerful statement against self-censorship and the silencing of voices that challenge the status quo.

As Valencia’s installation suggests, the dialogue around history and injustice is ongoing. While other artists in the show address wider social issues, Valencia’s piece stands out for its direct confrontation with institutional failure to support student activism.