The new documentary by Ron Howard, Avedon, aims to give us an intimate look at the renowned photographer’s life but falls short in delivering the depth and complexity one might hope for. Director Howard, known for his safe, conventional approach, strips away Avedon's innovative ideas, focusing instead on a series of behind-the-scenes anecdotes that fail to capture the essence of his work.

While Howard touches upon Avedon’s shift from using a Rolleiflex to large-format cameras, these technical details are barely scratched. The documentary is more interested in how he made people feel and open up for the camera, which, while relevant, feels like an excuse to bring in famous names for star power.

Yolanda Cuomo’s description of books as ‘paper cinema’ hints at a potential exploration into the interplay between photography and film. Avedon’s own inspiration from Fred Astaire’s choreographic style also offers a fascinating insight into his innovative approach, but this documentary barely scratches the surface. Howard seems more interested in maintaining audience engagement through well-known faces than in delving deeper.

Ultimately, it feels like an opportunity missed. Howard frames Avedon as simply a talented individual without truly exploring the revolutionary philosophy that underpins his work. Avedon’s vision of photography as a marriage of imagination and reality is sidelined for a superficial biography that does little to challenge or expand our understanding.