The term 'systems art' may have waned in popularity, but its influence endures. Art is no longer just about style; it’s about understanding the protocols that govern our lives—from finance to climate.

Jack Burnham coined this term in 1968, reflecting the rapid growth of systems during the Cold War. Artists like Kenneth Noland and Dan Flavin used structured approaches, mirroring the expanding protocols around them. Similarly, Hans Haacke and Adrian Piper redirected their focus from atmospheric to social systems, making invisible forces visible.

Today, 'systems art' remains relevant in tackling systemic issues such as racism and sexism. Artists like Haacke highlight these systems through critical work, often revealing the hidden structures that affect our daily lives. The term's decline might be linked to its initial association with military metaphors, which didn't sit well with a leftist audience.

Despite this, 'systems art' continues to evolve, challenging what we consider art itself. It’s about more than just creating objects; it’s about engaging with the complex systems that surround us and pushing back against them.