Rosalie Favell, a Métis-Indigenous photographer based in Ottawa, reveals how she navigated the complexities of her identity as both an Indigenous woman and a lesbian. Her journey began at home, where family archives held clues to her heritage, and extended into personal explorations through photography.

"I came out as a lesbian before I came out as an Indigenous woman," Favell explained in an interview with Hyperallergic. This dual identity is central to her work, which often features autobiographical portraits and digital collages that explore her mixed cultural background and sexuality.

The retrospective exhibition, 'Rosalie Favell: Belonging,' showcases 40 years of Favell's practice, from 1982 to 2024. It highlights how she used photography to reclaim her identity and insert herself in spaces where she belongs – both figuratively and literally.

Favell’s story is one of perseverance and self-discovery. She traced her family history through genealogical records, particularly those kept by the Hudson's Bay Company, which helped her connect with her Métis roots. Her personal journey is a testament to the power of archives in shaping our identities.

"I started searching out women’s communities, gay communities, and disco dancing," Favell recounted. This underground exploration paved the way for her public declarations of identity – first as a lesbian, then as an Indigenous woman. Each step was fraught with uncertainty but ultimately led to a profound sense of belonging.