Robert Pattinson’s Primetime performance is making me nauseous, and that’s great filmmaking. I feel like I need a shower after watching it.

Lance Oppenheim's Primetime combines Pattinson as the morally grey vigilante with a wonderfully creepy yet nostalgic cinematography that promises an unrelenting tension. Set during the peak of Dateline NBC's To Catch a Predator, the film captures the hazy, overexposed aesthetic of 2000s TV, mixed with hidden camera filming for a voyeuristic and suffocating vibe.

The work of cinematographer David Bolen is key here. Shooting with a mix of high-definition cameras and low-quality surveillance ones, the trailer alone has a distinct raw feel that builds an authentic, exploitative atmosphere reminiscent of early 2000s reality TV. Dizzying shots, a nauseating palette of yellows and greens, and claustrophobic cinematography make it impossible to tear your eyes away from Primetime's eerie world.

For more movie news, check out why everyone’s obsessed with Alexander Skarsgård in the Wicker trailer or take a look at why Eli Roth's Ice Cream Man has been ruffling the feathers of film fans. Sign up to Creative Bloq's daily newsletter, which brings you the latest news and inspiration from the worlds of art, design and technology.