Through atmospheric, black-and-white photographs, Japanese artist Masao Yamamoto explores the emotional connections between image and memory. His intimate, otherworldly gelatin silver prints evoke dreamlike archival footage that has been somehow unyoked from the normal rhythms of time. Ten Owls at Yancey Richardson marks his seventh solo exhibition with the gallery, showcasing intimate portraits of the nocturnal birds.

No larger than 10 inches on the longest side, these images are intended to be viewed up close in a way that brings these elusive creatures much nearer to us than we ever experience in the wild. Often peering directly at the camera, their alert, sage, sometimes wary or candid looks evoke a sense of emotional connection.

Each avian is an expressive protagonist, with the deep blacks and soft edges of Yamamoto’s prints inviting reflection and empathy. Over time, the impact of development in the countryside where he lives has drawn his attention to these winged, woodland denizens.

"Owls have always been a familiar presence to me," Yamamoto says. "However, as the number of people living in the forest grew, those with no interest in the laws of nature began clearing the trees. Sadly, the owls’ perches are vanishing. Even so, when I hear their faint hooting echoing from somewhere in the distance, I feel a sense of peace."

With Ten Owls opening on April 16 and continuing through May 22 in New York, Yamamoto’s work invites us to pause and consider our relationship with nature.