Vintage Violence, the latest from director Eugene Kotlyarenko, is an absurdist crime thriller that seamlessly integrates modern technology into its narrative, making the audience feel like they’re constantly checking their phones. In this tale, Carter, an influencer, finds a cache of vintage Levi’s in Tokyo, leading to a series of scams and murders that play out alongside his livestreams. The film’s unique feature is its dual-screen approach, showing what characters are doing on their phones right next to the main action, creating a chaotic and immersive experience.

The premise of Vintage Violence is ridiculous, but it’s the execution that elevates it. The constant presence of phones and social media adds a layer of reality to the absurdity, making the audience feel like they’re part of the story. While the plot is brutal and bloody, the film’s style is toned down compared to some of Takashi Miike’s work, making it more digestible but no less thrilling.

Other highlights from the Toronto International Film Festival include a 4K restoration of Ken Russell’s The Devils, a surreal and disturbing account of a 17th-century witch trial, and Gentle Monster, a drama about a family torn apart by a CSAM investigation. Each of these films offers a unique perspective on the intersection of technology and human drama, pushing the boundaries of what we consider acceptable and thrilling.

For those who are phone addicts, Vintage Violence is a must-watch. It’s a reminder of the constant connection we have to our devices and the dark, thrilling stories that can emerge from this constant stream of information. It’s also a cautionary tale, showing how easily our lives can become intertwined with technology in ways we never imagined.